Mar 10 2010

The Bassoon Page

All of my faithful readers (both of them) will notice a new link gracing the top of my blog.  This is my new Bassoon page, which is just a central place to easily find all of the vast amounts of writings, musings and grousing I have posted on the subject during this blog’s long and storied history.

Okay, so maybe that’s an exaggeration.  It’s really just a place that links to a couple of posts I’ve done that I think would be helpful to be able to easily find.  Reed stuff.  A couple recordings.  Even a bibliography.

It’s rough.  It’s ugly.  But it’s there.  Enjoy.  Check it out:  Click here, or click above.

Mar 06 2010

Starting Up Your Reed Factory – Part 3 – Slowly But Surely

Last year, I began experimenting with repeatable techniques to apply to my reed making.  They met with some success, so I decided to post about them.  For those who just can’t start a (heart-stoppingly exciting) series in the middle, I invite you to take a look at Part 1 and Part 2.  It’s been a while since I updated this little series of mine, and since I’ve continued to learn a bit, I’ll continue to post.

By the way, just so you’re aware of the context of this post, other titles I considered were “Slowly and Painfully”, “Why Don’t These Damn Things Work”, and “I Want to Be a Jazz Drummer, Instead”.

Up To Now

The great thing about improving my success rate with reed making is that I begin breaking in most of my reeds at a somewhat consistent starting point, and I’m more confident about the direction I need to go as I break them in.  As time goes on, though, I get more and more frustrated on why I can’t reproduce the same results every time.  Since I’ve started measuring my reeds, I’ve scraped too many of them with exactly the same profile that turn out completely different.  Granted, there are other things that can be different about a reed besides the profile, such as the tightness and roundness of the wires, the uniform (or not) roundness of the barrel, etc., but I’ve been concentrating more and more on getting those little details more or less the same, as well.  So, what’s the difference, here?  Why don’t all my reeds that begin the same and get the same profile end up playing and sounding beautifully?

Cane and Snowflakes

The unfortunate thing I’ve been coming to grips with lately is this:  like snowflakes, no two pieces of cane are ever exactly the same.  You can make two reeds exactly the same, scrape them the same, and they will end up completely different, because the cane they were made from was different.  They’re bamboo plants growing somewhere and aged before you’ll ever get the dried out hollow tubes.  Bamboo plants are all different.  The cane you get, and therefore the reeds you make will all be different.  Unfortunately, until we start using some synthetically manufactured materials for reeds, this will always be a problem.

Fortunately, there are things I’m finding that make responding to this problem easier to deal with.

The 95% Scrape

Not to be too much of a nerdy Trekkie, but remember when Spock’s protege questioned his thinking in Start Trek VI?  She confronted him with the phrase, “It’s not logical.”  He responds with this gem:  ”Logic, logic…Logic is the beginning of wisdom.”  We can discuss the merits of using kitchy science fiction to talk about reeds elsewhere.  For now, there is another parallel to draw here:  Having the exact reed measurements to use, relying on the sage advice of the dial indicator to get the reed to its exact correct scrape is logical, yes, but as I’ve found, it’s only the beginning.  (And you thought I couldn’t I draw a comparison…)  Let me explain.

When I scrape the reed to the exact measurements before I ever start breaking it in, I’m assuming the cane is the correct hardness, and built exactly the same as the reed from where I derived those measurements.  If it’s not, the reed won’t work as expected, even if the profile is scraped perfectly.  Period.

With my latest batch of reeds, I’ve been purposely scraping them down to almost the desired measurement – but not quite.  So, if a certain part of the reed is supposed to be 30mm thick, I’ll scrape it down to about 34-35.  The whole reed ends up scraped to roughly the same proportion as my ideal profile, just a tad thicker:  the 95% scrape.  What I’ve found is that this gives me the flexibility to respond to the different types of cane I deal with.  A good deal of the cane is hard enough that I do end up eventually scraping it down.  However, quite a few of the reeds require adjustments to the ideal profile, which could include leaving it thicker in places I wouldn’t originally intend.  That fact is why it’s important not to corner yourself by scraping the reed to the exact measurement at first.

So, how do you tell which reeds need adjustments, and which don’t?  Well, that leads to the next tidbit of double-reed infused information.

Let Them Guide You – Slowly

Remember when Picard throws a tantrum in the “First Contact” movie?  He ends up smashing all the starship models in his rage, then growls through clenched teeth, “The line must be drawn here.”  That has absolutely nothing to do with reeds, but it’s a cool line.  Anyway…

One of the things that’s been especially hard for my I-want-it-to-work-right-now mentality is that reeds’ behavior changes as you play on them.  This means that a new reed that may have sounded great the other day when you played on it may now sound stuffy and be really hard to get a sound out of.  This is for the same reason that no two pieces of cane are alike – they come from dried out, aged, organic material that changes over time.  As you soak the reeds, the water causes the fibers to expand, making them thicker over time.  As you play on them, the vibration causes the fibers to break down, causing the reed to soften over time.  Eventually, the reed will stop changing so much, and reach a stable point that you can rely on (until you need it for that big solo at the concert, of course).  The kicker is, this just doesn’t happen immediately.  You have to play on them first.  And that is probably the most important point in this whole post:

Breaking them in properly before finishing or fixing them is EXTREMELY important.

The more I play on a new reed before adjusting it, in general the better reed I get that behaves more like I expect it to.  The more I hack away at it before giving it a chance to adjust on its own, the more I tend to get a reed that may sound good at first, but end up being too bright, too flat, and too mushy within a week.  This leads to another somewhat important point:

Your new reeds will not immediately make you sound like you deserve to play with the Chicago Symphony.  This is okay.

I tend to be very impatient with my reeds, and want them to work immediately.  Learning the art of waiting has been frustrating but rewarding.  My reeds have continued to improve because of this.  I get a better idea of what the reeds need after breaking them in, and I discover which reeds aren’t worth working on at all (a time saver in its own right).

Just the Basic Points

So, what have we learned today?

  • Every piece of cane you work on will be different.
  • Scrape the reed to 95% of your ideal measurements to give yourself room to adjust as your reeds break in.
  • Give your reeds time to break in.
  • Not only am I a double reed nerd, but I also know too many lines from Star Trek.

There you have it.  The absolute latest in my ongoing quest to make the perfect reed, then make another one.  I’ll post again as I find out more about this exciting, intense, amazing and fulfilling art.  As always, I’m not claiming to be an expert here, just sharing my own experiences with you in hopes that it will help someone save a little time.  If you have any thoughts on the process, please let me know!

(Oh, come on!  The Star Trek comparison was awesome!  Come back!  Please read my blog again.)

Mar 06 2010

Finding Focus on the Internet – on the Internet

I wrote a post a couple weeks ago about the freakish amounts of information available to us today, how easy it was for me to get distracted, and small steps I was considering trying to combat that.

I’m glad to discover I’m not the only one dealing with this.  My wife pointed out a book in progress she had discovered addressing this exact issue, called the Focus Manifesto.  I haven’t read it, yet, but plan to very soon (once I finish my news feeds, checking eBay, the NBA scores, and go through my email).

Ironically (maybe), it’s an eBook, and can be read here.

Feb 18 2010

Did It Myself iPhone Dock

As it happens, I had a little time this evening, a sheet of card stock, a printer, and a knife  – all the ingredients necessary for the do-it-yourself iPhone Dock I mentioned in my last post.  So, I tried it, and in about ten minutes, it was done.

What were the results, you ask?  At first, not quite as good as I had hoped.  The first thing I tried was setting the iPhone in the dock vertically, and was disappointed to find out it didn’t support the weight of the iPhone.  I guess I didn’t use a thick enough card stock.  It did support the weight of the iPhone in a horizontal position, though.

Not wanting to give up quite yet, I cut another panel of card stock, and glued it onto the back of the dock, let it dry a bit, then tried setting the iPhone vertically in the dock again.  Presto!  The combination of dried glue and an extra card stock layer did the trick!

So, there you have it.  Not the strongest piece of equipment in the world, but it works as advertised (with thicker cardstock, or some glue), it’s quick to put together, and the price is certainly right.

Feb 17 2010

Do It Yourself iPhone Dock

Now that I’ve posted on how I fear the ubiquitousness of the internet, I’ll post something about making it even more convenient to access.

Eh, go figure.

At work, I tend to use the iPhone as a secondary device, for things like IM chats, and music.  Unfortunately, it’s a little awkward to try and stand up with the cord plugged into it, so it usually just sits flat on the desk.  Not ideal.

Apple’s Universal Dock is kinda neat, but it does stuff I don’t need it do, and it’s pretty pricey – $60 – just so I can sit my stupid iPhone at a nice angle during the day.  No thanks!

Enter this handy do-it-yourself dock, which you can cut, fold and use without the $60 investment.  Cool! Check out this post with the video and the link to download the template.

I think I’ll try this sometime this week.  I’ll let you know if it works, or not.  If you decide to try it first, let me know how it works for you.

Feb 12 2010

So, About That Internet

Has anybody stopped and pondered just how much information is available to us and how easy it is to get? Think about it. I can get lost browsing blogs about bikes, prefab housing, or computers. I can sit in a stall at a public bathroom and order stuff on eBay. I can watch an NBA game anywhere I want, inside or out, instantly. I can browse videos, music, books, and download them from anywhere. I can find reviews of restaurants across the country, look at pictures of the their food, check out an image of the parking lot, plot step by step driving directions, email them to my phone, and have it lead me the entire way.

The information available at our fingertips is staggering, unprecedented and omnipresent. This realization hit me when, one recent morning, after I had already checked email on my iPhone while I was biking to work, I sat down at my desk, opened my browser, and began reading news feeds of everything from politics to technology to humor. Within five minutes, I found myself reading an article about the movie “Back to the Future” on Wikipedia, and I don’t even know how I got there.

Don’t worry. I got off the bike to check my email.

I used to proudly tell my friends when they came in to our house and ask where the TV was, that my wife and I didn’t own one. The unsaid portion was, “We don’t need one of those things entertaining us and telling us what to think. We can find other ways to occupy our time.” I seriously used to believe that. I don’t now.

I have a hard drive full of movies and TV shows that I bought over the internet. YouTube could keep me busy watching endless videos day and night. Facebook is there, my news feeds are always waiting, and Hulu’s come along as of late to let me catch up on the episodes of “30 Rock” I might have missed – then check out Family Guy, the Tonight Show, The Office… The reality is, we still have “TV” – it just sits on our desk, and has a keyboard instead of a channel selector. In many ways, this new TV is far worse than the old one – it’s far more pervasive than the original TV ever was.

So, thus far, my point is: we have lots of information. And everybody reading this said, “Wow, good call. We didn’t realize that as we sat reading this via the internet.” Fair enough. But really, that’s not my entire point. My second point is, sometime this week, I realized that simply standing in front of this fire hose of information and consuming it can’t continue. I’m not sure how it’s affected us as a whole, but I can certainly tell you how it’s affected me, and how much more I’ve been affected than I ever would have anticipated.

I don’t do the “creative” things that gave me so much satisfaction nearly as much as I used to, from writing to composing to blogging. Those activities require way too much mental effort to get the same reward as simply browsing email, FailBlog, or Facebook. I don’t “think” about what I do as much anymore, either. It’s just a habit now that, when I get home, I go to the computer, or whip out my iPhone, and “check in”. There was a time when I’d get home and practice an instrument, or sit and talk with my wife, or even read a physical book that I had to hold and manually turn pages. I’m not as productive as I used to be. It’s harder for me to think in terms of “long form” activities, like creating an entire website that takes weeks or months; or editing an entire blog post which requires an introduction, a set of points, and a closing which ties it all together; or even composing a simple piece of music. The mental energy and the time commitment for these projects is too great for me, these days. Maybe I had these attention issues before, but only now with this constant “information saturation”, are they really being exposed. At this point, it doesn’t really matter. I’m tired of this drain on my time, my energy, and my attention.

What do we do about this? Do we accept this as just the way things are, now, and that so much of our lives is just meant to be spent virtually, and online? Do we exchange all of our technology for books, a pen and some paper?

I’ll be honest with you. I talked with my wife about going cold turkey – disconnecting our internet service, getting rid of all of our movies and TV shows, and keeping just one of our laptops around. If we wanted to check email or catch up on anything that required the internet, we could go to a coffee shop, or something. Part of me thinks that we would find ourselves surrounded with tons of forgotten time and opportunity, and that we may not miss all that technological stuff all that much.

Now, I’ll be honest with myself. Cold turkey may be great for a while, but it probably wouldn’t last all that long. It wouldn’t be too long before I was wishing I could watch just this one show, or if I just had an internet connection to do just this one thing, and before you know it, I’d be back to the gadget filled, internet and information drenched lifestyle I’d sworn off so recently. I think, in the end, it’s okay to say that the internet is, indeed, an amazing technology, and we are lucky to be have access to such an unparalleled amount of information, but here’s the kicker:

We aren’t obligated to use it all the time.

Does that sound stupid? Obvious? It does to me, too…now. It was a surprising revelation to me, though. Just because I had email available to me didn’t mean I always had to know exactly what was my Inbox, or reply to somebody immediately. Just because my iPhone let me know there were new feeds to read didn’t mean I had to switch over post haste and enlighten myself with it. A random “what if” thought didn’t immediately have to be Googled, Wikipedia-ed, or otherwise tracked down on the web.

In short, we don’t have to stand in front of the fire hose and consume. Yes, it’s amazing how much comes out, but we’ll end up just getting soaked, and uncomfortable, and our shoes will get really squishy. We have the option of (carefully) standing next to the hose and sipping, or bringing little cups to the hose to drink in small portions later, or – get this – to step away from the fire hose altogether from time to time.

The “small portions” is the part that’s going to take me some time to learn as far as disciplining myself. Saying that I’m going to only partake sometimes and doing it are two different things. Having the internet on all the time has become such a habit for me that I’m going to have to practice purposefully limiting it or stepping away from it, as methodically and carefully as I sit down to practice tough passages on my bassoon. I think a good place to start is to have a few ideas in mind at the beginning of each day:

  1. Only check email two to three times a day.
  2. Only check my news feeds two to three times a day.
  3. Avoid the “Back to the Future Syndrome”. Have a specific reason to open up a browser. If I’m going to pay bills, fine. If I’m going to research reed tools, or dolphin eating habits, great. But I’m not going to get on with the idea that I’ll just mindlessly browse, and find something.
  4. Establish times throughout the day where the internet is considered “turned off”, maybe for a half hour to an hour to start. I’m betting that, at least after the withdrawal, I’ll be amazed at the time I have back and my ability to concentrate on more “long form” ideas.

Those are my ideas. I can’t guarantee any of those will work, or that I’ll stick to any of them, but I’ll try. Maybe I’ll check back in once in a while to let you know how it’s going.

How about you guys? Does anybody else have this problem? What do you do to keep from being overwhelmed? Let me know!

Jul 24 2009

Performing at Cannon Mine Coffee House in Lafayette

Cannon Mine Ad

Apr 21 2009

Performance of the Mozetich Bassoon Quartet

The bassoon quartet I’m in, the Boulder Bassoons, recently played for one of the member’s doctoral recitals, and we managed to get a recording of the performance.  The performance wasn’t perfect, but it was pretty darn good, so I’m linking the recording here, for your listening enjoyment.

The piece we performed was “Odes to the Americas”, by Marjan Mozetich, commissioned by the Caliban Bassoon Quartet.  The three movement piece is written for three bassoons and a contrabassoon, and is a lot of fun to play and to listen to.  Enjoy!

Odes to the Americas, by Marjan Mozetich

I. Good Times

II. Blue Souls

III. With You I Dance

Check out the following websites for more information:

Boulder Bassoons

Marjan Mozetich

Caliban Bassoon Quartet

The Caliban Quartet made the definitive recording of the piece, which can be found on their website, or places like Amazon.

Feb 16 2009

What Has Tweeters but No Woofers?

Riddle me this…

It has tweeters, but no woofers.

It’s totally where it’s “@”.

Brevity isn’t just recommended.  It’s required.

Twitter LogoGive up?  I’m talking about the Twitter service.  You know, the website that gives you 140 characters to “tweet” what you’re up to, what your latest thoughts are, or why exactly you hate pot-holes.

What?  You don’t know what I’m talking about?  Well, that seems to be the problem.  A lot of people who I ask about it have no idea what I’m talking about, which is kind of a shame, because I kind of like the idea of Twitter.  It’s like only having to read and write status updates on Facebook without having to duck the latest “Shmoopsy threw a llama at you”, or “Mandy challenged you to a movie quiz”, or “Johnny joined the group Fans of Facebook Fans”. (Honestly, I think 90% of Facebook is spam, these days, but that’s another story.)

Like I said, the problem is nobody I’m aware of seems to know much about it, which is too bad, because that means that I’m not following too many people, and vice versa, which, of course results in very little reason for me to keep my Twitter updates current.

Anybody here actually use Twitter?   What do you think about it?

Anybody just been dying to try it?  Let me know.  I may not follow you just anywhere, but odds are, I’ll follow you on Twitter.

Feb 13 2009

iParadigm Shift

My wife and I had been eyeing the iPhones for a while, but two things always held us back.  First, we would have to ditch our cell service, which we’d been quite happy with, and sign up with AT&T, of which we’d heard mixed results at best.  Second, it meant finally forsaking subscription music, as iTunes – and therefore the whole iPod/iPhone lineup – didn’t offer a plan.  (As I’ve raved plenty about subscription music in the past, I won’t go into it now.)

In the end, neither of those reasons stopped us.  We both ended up at the Apple store about a week ago, emerging with two shiny new iPhones.  So far, AT&T has been fine – at least in the Boulder area, and I’m coping with not having subscription music tracks available.

I won’t bore you with an in-depth review of the iPhone, since pretty much everyone knows what it is, what it does, and whether or not they like it.  I would, however, like to occasionally point out interesting applications I find for it.  Already, I’ve found two such applications that, by themselves, pretty much justify an iPhone, and assuages any misgivings I had about leaving subscription music behind.

Simplify Media for iPhone

Simplify MediaI’ve talked about Simplify Media before, and how it allows you to share iTunes libraries among friends by streaming music over the internet.  I even had a couple friends of mine try it out with me.  It was simple to use, and a nifty idea.  Over time, though, we simply forgot about it.  That is, until I got my iPhone.  You see, one of the problems with the iPhone is that it only comes with either 8GB or 16GB of space – not enough storage for most peoples’ music libraries, these days.  I grudgingly accepted that, from now on, I would be picking and choosing the music I take with me.  I was glad to find out I was wrong.

This is where the Simplify Media application for the iPhone steps in.  This amazing little app brings the streaming libraries to your iPhone, meaning that, wherever you are, whether you’re connected via wi-fi, or 3G, you have access to your entire library of music stored on your home computer.  That includes albums, artists, and playlists you’ve created, along with things you may not have in your library: artist info and song lyrics.  Who cares whether you have 8GB or 16GB when you can listen to your entire home library wherever you happen to be?

Simplify Media is $3.99 for the iPhone, but, in my opinion, well worth it.

(Actually, seeing how well this app works makes me a little greedy.  Why can’t LaLa take this one step further, and create their own iPhone app that streams all those 10 cent web songs you’ve bought?  Hmm… )

Pandora for iPhone

Pandora BannerA lot of folks have heard of the Pandora Radio website – the one that plays music based on songs you’ve rated and allows you to save “stations” of similarly styled music.  What’s the iPhone app like?  Well, think of the functionality of the website crammed – quite neatly – into a tiny interface, and you have the idea.

One of the things I liked most about subscription music services was being able to discover new music without having to buy albums that I might end up not liking.  I’m finding that Pandora does this quite well, with the ability to bookmark songs that it plays, create new stations based on specific songs or artists you like, rate music as you listen to it, and even being able to purchase the track in iTunes. It doesn’t quite have all the features that Rhapsody has, but then again, it also doesn’t have the monthly subscription fee that Rhapsody does.  The most important part – the discovery of new music – works as well or even better than Rhapsody ever did.

Pandora is a free app.  I’m guessing the small ad banner they include, and maybe cuts from iTunes purchases made from the app helps pay for it, but I could be wrong.  Whatever – it’s a great app.

Anyone here own an iPhone?  Have you tried either of these apps?  Let me know what you think of them.